Friday, July 30, 2010

The E3 is Back

Well, the friendly courier fellow came by my house today with my Olympus E3 back from repair.  I sent it in Monday, it is back today (Friday) and with a brand spanking new LCD housing.  The packing slip says "replaced LCD monitor cover, cleaned and tested."  I tested too, and it all works well.  Plus the camera looks brand new again, they really did clean it.  Now I'm not a member of Olympus' Professional support program yet (I've been meaning to join, but keep forgetting) but still that is really impressive service.  Hats off to a great experience.  I could have shot a wedding last weekend, sent the camera in Monday and had it back for this weekend.  Pretty good.

I found a video today on the internet that shows a model shoot with the Olympus EPL-1 micro four thirds camera in an underwater housing.  If you don't like pretty girls made out to be like creepy zombies then this isn't for you, but if you are curious about the video at all, it is worth a look.  In fact the website (Photofide) is full of content that I've yet to explore, its a pretty good find.  Video link below:



I'm caught up again on all my photo editing and work pretty much.  I have a few customer DVD's to make and some print orders to fill, but it is all light work.  We are designing new rack cards as a resort we have shot a wedding at liked our work and asked to display our literature.  We normally don't do print ads as we don't find them that effective, but in this case the resort wants to include our stuff with their wedding package information and that is great.  The challenge is going to be to try and produce something that fits the look of our brand.

We like to play nice with other wedding vendors as much as we can.  With the Bride and Groom's permission we share photos with venues, caterers, florists, etc. for their promotional use, and we do it free of charge with no watermarks.  Why?  Well weddings are a competitive business and we know that other vendors recommendations can be a big help.  We like to recommend vendors to our brides as well if we know they are of good quality and fit with how we think a Bride should be treated.  It costs us nothing to give vendors photos, plus they show our work on their websites (we do ask for photo credit) and in literature and the goodwill we build with them is very helpful.  Plus, if you look at a lot of wedding vendor websites you will see some really bad photography, so we think of it as kind of a public service.  I know that most photographers are unwilling to share and I see a lot of caterers or venue managers running around with point and shoots at weddings.  What goes around comes around (I hope) and I know for sure that most photographers don't share.

Of course we haven't always had a good experience with other vendors.  We sometimes give free images only to have them not used (even when asked for) or we don't get so much as a quick thank-you email in return.  We file those experiences away so that we don't recommend those vendors (not that we bash them either, that would just be stupid) or we don't offer free photos again.  Recently we decided that we wanted our website to have some more photos on it that reflected the style of photography that we feel we are evolving toward.  We want our Brides that go to our site to see the kind of photography we want to be doing, not the kind of photography we necessarily have been doing which in all honesty has occasionally been exactly what everyone else was doing.  Simple, safe and well exposed to appeal to a broad audience.  Anyway, in the interest of long term happiness and carving out our own niche in our community we really want to push ourselves and our style so we decided to get some models and some dresses and work with a hair and makeup artists to create some really dramatic images for our website.

We scouted some really fantastic locations and we ordered up some new lighting for location work.  We then dropped by a local Bridal store to see if we could purchase some used display dresses.  Well the owner of the store are a husband and wife and the husband recognized me from a recent wedding show. He suggested we could work together and they could provide dresses on loan if we could provide them with images.  We quickly agreed and were very excited.  The first model we had set up was a good family friend.  She happens to be quite skinny.  No we didn't think of her because of that, it is simply because we've photographed her before and she is a natural in front of the camera and is a really really nice person (easy to work and spend time with).  I mentioned to the store owner that our model was quite small and he said that it wasn't a problem, they could pin the dress, so great!

Well about three days later I email to arrange a follow-up meeting and I get a return email that essentially accuses us of photographing anorexic models that the store customers won't identify with.  The email is from the wife, the co-owner of the store.  She wants sample photos of our models and isn't sure she can work with us.  In the meantime I've found another model who is of a larger dress size but as I read the email I was pretty angry.  A judgement has been made, and it's not one I like.  My partner and I work very hard at being great to our customers.  We work hard on our image, and we are NOT that type of seedy photographer.  I have a daughter, and a wife, and I don't promote anorexia.  I admit I was pretty offended, but I politely emailed back with a reply that we were happy to work with plus sized models and suggest we meet to make sure both our needs are met.  I get no reply for a couple of days so I stew on it and eventually reply to end the arrangement.

So we are going it on our own.  Which was the original plan anyway, but as you can tell I'm not happy with the result of that vendor relationship.  Of course I want to work with them, but if I do, it won't be a fair trade agreement, it will be them paying for service.

That is about it for my little rant/lesson on vendor relationships.  We will always be a company that wants to share with other vendors and help them out.  We will network, we will shake hands and we will share images, and I recommend other photographers do the same.  You will get the brush off occasionally, you will find some people ungrateful, but occasionally you will find people like the resort we found this year that will help you grow your business and you will be happy you made the effort.

I took this image last year while photographing for the local Crisis Society at their annual Soles for Souls event.  They have people bring shoes (which later get donated to charity) and they pile them up in sort of a memorial.  The shoes all have written on them on tags the names of friends of relatives that have committed suicide.  It is a moving ceremony and one I enjoy photographing for free each year as my little contribution.  I'm not sure if I've shared photos from it before, but I thought of it in relation to the debate raging right now on a couple of other blogs.  If you have something you feel strongly about that you want to contribute to as a photographer, and it normally wouldn't be something a pro would be hired for, then I say contribute your talent and time to the cause.  Free can be a good thing and you may grow from the experience.



I entered one of my images in the annual Scott Kelby Photowalk competition.  Pretty sure it won't be the winner, but honestly with street photography and landscape photography I'm really not as seasoned as most amateurs.  Which leads me to a train of thought I've been having lately about amateur photographers.  I met several on the walk and know several myself and I find it really strange how the word 'amateur' has become symbolic with 'not very good.'  Really it seems that it should mean "I love this art of photography and I'm willing to do it for free."

I've seen a lot of amateur photography on Flickr and in my local Photography club that is frankly excellent and far superior to the work of a lot of pros.  I don't think there is, or should be shame in calling oneself an amateur.  It is just doing something for the love of it, not the money.  It does not directly relate to skill level.  I run into a lot of hobbyist photographers that will tell me that they could be doing it for a living but they have a (insert word like 'job, or family obligation, bad back, etc) and then they start talking gear and stuff with me.  It reminds me of that guy that will meet an NHL player and say 'yeah, I could have been a pro hockey player but I blew out my knee,' like there is something to be embarrassed about by playing in the local recreational hockey league on weekends.  If you love hockey and play as an amateur or love photography and do it on weekends to show your friends on Flickr then just realize it makes you no less relevant than the guy doing it for cash.  So when you meet a pro photographer or a pro baseball player, or heck a pro bowler, just chat with them about your shared passion, ignore the urge to justify your insecurities over not collecting the cash, and I think you'll find a kinship exists beyond the finances of the subject.

Thursday, July 29, 2010

E3 Repair Update #3

So, just received another email from Olympus.  Remember I shipped it on Monday, 4 days later here is the update:

Dear NEIL GAUDET,

Thank you for choosing Olympus Canada, Inc.  This email is to inform you that your Olympus product is currently being shipped back to you via PURLTR AIR. You may track your package by visiting www.purolator.com and entering tracking number:8##########.

If you have any questions, please don't hesitate to contact us at: 1-800-622-6372 between 8:30am-7:00pm. EST

Thank you,

Olympus Canada, Inc.


So, assuming the repair went well and the camera gets back in good shape, then I have to say that is very impressive fast service from Olympus Canada.  I'll update again when it arrives.


Here is a photo of me playing with my Lensbaby and E3 on the Scott Kelby photowalk.  Image by Greg Howard.


By the way, another courier showed up yesterday.  We bought a complete Alien Bees lighting setup.  I haven't used it yet of course, but it all looks very cool.  Be blogging about it for sure once I get a chance to play with it all. 

Tuesday, July 27, 2010

E3 Repair Update #2

Wow, OK I wish all service was this fast.  Here is update#2:

ORDER STATUS - APPROVED and Expected ship date : 8/3/2010

Find answers to the most common questions specific to your repair.

Back to Service & Repair
--------------------------------------------------------------------------------

Olympus Service Order Number: 1######

Item Description: E-3 SLR PRO BODY

Return Reason: Warranty

Product Serial #: D########

Date Received: 7/27/2010

Receiving Text: SEPERATING LCD

Customer Address: NEIL GAUDET

NANAIMO , BC

Total Charges: CAD$0.00

Details of Repair:

Completed repair details will be noted on your packing slip which is attached to the outside of the packing box. Please be sure to look for this when you receive your package.

Speaking of Four Thirds and its future, or possily lack there of.  Zone 10 has put up an interesting article making predictions on the future of the format.  To me, the E3 is quickly becoming my hobby camera.  It is currently my rainy day backup camera for pro work, but once I purchase a second Canon body it will likely fill the role my old film OM-4t has, that of a camera just for the photography I do in my own time.  If Olympus manages to release something at Photokina in September then there may be life in the format, and I wouldn't put it past them to surprise us all, but if not then I think in all earnestness that it will be the end of their DSLR line.

Just found a blog by David Mantripp that mentions this blog.  Thanks David!  I enjoyed the read.  Check him out if you are looking for a fresh take on photography and other stuff.

Olympus E3 Repair Update

Wow, guess this is more a testament to Canada Post, but I mailed it yesterday morning and just now I recieved this prompt email from Olympus:

Dear NEIL GAUDET,


Thank you for choosing Olympus Imaging America, Inc. Your item has been received at our TORONTO repair facility. Please check your repair for warranty status and/or any changes by visiting us at: http://www.olympusamerica.com/repairstatus . Please reference your repair order by entering in your serial number: D######## along with your service order number: 1######.



This is the billing address we have on file. Please contact us only if this address is incorrect.



Please reference the following CUSTOMER NUMBER on all future service requests:


Customer number: #######


If you have any questions, or need to correct any above information, please feel free to contact us at: 1-800-622-6372 between 8:30am and 7pm EST, or you can email us at http://www.olympusamerica.com/cpg_section/cpg_questions.asp?category=Repair


Thank you,



Olympus Imaging America, Inc.
 
So I'm impressed.  26 hours after I mail it I get a recognition from Olympus that it has been recieved.  More updates to follow.

E3 in for Repair

I had to send my Olympus E3 in for repair as the LCD housing for the moveable LCD was splitting.  This never happened on my old E3, but it does look like a natural weak spot on the camera.  I noticed it while moving the LCD around for a live view HDR shot I was doing on a tripod last month.

Anyway, thought I'd blog about the process of getting a repair done through Olympus Canada.  I've done it once before (had a repair done) and it went well, but this time I'm going to follow it live!

So yesterday I went on their website, downloaded and printed the form you need to send with the camera explaining the issue.  I also copied my original receipt, warranty card and extended warranty to send with it as the camera is protected by a 1 year original and 2 year extended warranty that came free with the camera when I bought it last November.  Boxed it all up in double bubble wrap and dropped it off at Canada Post to ship Express Post.  I bought insurance just in case.

With Canon you need to buy a Canon Professional Service contract to get expedited service, and we may do so, but I found with Olympus the last time I needed a repair it was done promptly for me.  My partner in crime also sent in one of his Pentax lenses a month or two ago with a failed motor drive and it was repaired for free and promptly returned as well, no hassle.  One thing I do know is that if you are using camera equipment for work, it will fail, no matter how well it is built.  We put our gear through heavy, what I would call industrial use.  Weddings in particular are really tough on equipment as I'm sure most wedding photographers would agree with and likely very few others would.

Sunday, July 25, 2010

Photowalking with a Lensbaby

Photo by Greg Howard

So yesterday was the Scott Kelby Photowalk in hundreds of different communities around the world.  Last year I participated while visiting my family in Medicine Hat Alberta.  It was a blast because I could spend the day with my dad.  Yesterday I took part in the local Nanaimo walk led by Greg Howard.  As I said yesterday in my blog post, I decided to push myself to finally learn to use my lensbaby.  Either that or get rid of it as I never used it.  I spent the whole day with it on my Olympus E3.  


The big fun of a photowalk is just meeting and chatting with other photographers.  There is always a good mix of people from all levels of skill right from people totally new, to skilled amateur photographers to working pros.  Everyone seemed to enjoy chatting and socializing yesterday and our walk was casual and enjoyable.  In case you are curious about how the brand war broke down, the group of about 40 photographers had maybe 17 Nikons, 17 Canons, 1 Sony, 2 Olympus and 3 Pentax DSLRs.  There were the occasional smatterings of 'my brand is better than your brand' talk, but it stayed friendly.  Of course nobody would admit that each brand at the consumer level is pretty much equal.  At the pro level the D3s cameras brought by Greg and his son were the best present with the only other 'pro' camera there was my dated Olympus E3.  The E3 performed well for me, but it goes in for repair (under warranty) this week for a separating LCD screen.  We were in bright sun all day so the need for high ISO wasn't really there.




Despite the photo above, it didn't rain either, so my E3 wasn't any huge advantage in that respect (rain added in post).  As far as the lensbaby goes I have the 3G model that looks like something built on Mars.  It has the three wire posts coming out of the lens and the accordion style lens barrel.  I was able to stand in the middle of the sidewalks full of pedestrians and photograph passers by without people seeming to understand what I was doing.  In hindsight I wonder if some people thought I wasn't even photographing them, or at least wondered what was on the front of my camera.  I'm certain 99% of people in the world have never seen a Lensbaby, and the 3G looks weirdest of them all.  




I set the E3 on shutter priority mode as the Lensbaby's aperture is controlled by inserting little discs on the front of the lens.  I tried three different apertures on the day, f2.0 (no disc installed), f4.0 and f11.  I left the ISO at 100 all day except for a brief period inside a restaurant to end the afternoon.  So all I had to do to adjust my exposure was to increase or decrease my shutter speed and be mindful of my histogram.  I would often forget to do so and photos in the shade or full sun would give me blown out or underexposed images.  I eventually learned to be aware that I was going to have to adjust everything manually, the computer in the camera wasn't going to help me.  In fact you have to set the camera to fire without lens attached as it doesn't even know a lens is there as there are no electronics on the lens.  




You focus the Lensbaby by pulling the end of the lens barrel toward the camera body.  The closer you pull it to you the more it focuses at infinity.  If you pull it straight in the in focus area is in the middle of the frame.  Pulling the lens up or down, right or left moves the sweet spot around.  I found trying to focus in the corners of the frame the most difficult and easy to miss your sweet spot.  Pulling it straight up or down, left or right was easier as in the photo above where I would have pulled it straight right and held the camera in portrait orientation.  The easiest is just to pull it straight in and let the edges of the frame to to blur.  




Once you have the Lensbaby roughly where you want it by pulling in for focus, you hit a little lock button on the lens.  You can then move your sweet spot around a little by twisting one of the three rods on the lens which moves the lens.  You fine tune your focus with one of three little knobs on the lens.  It generally works well, but does take some training of your fingers.  I found myself pulling the camera away from my face a lot to check where everything was.  Some more experience would probably fix that.  




It is fortunate that the E3 has a bright viewfinder as manually focusing the lens on something smaller would be really challenging.  As it is, the smaller of an aperture disc you throw on the lens, like the f11 one, makes everything pretty dark and makes it challenging to focus.  The good thing is that when you get up around f11, your area that is in focus is much larger than say around f4.0.




I haven't really decided on whether the Lensbaby is for me or not.  I might just sell it as while I enjoyed using it for an afternoon, it isn't something I am convinced I can consistently rely on for pro work.  I guess I haven't made up my mind yet.  My 'keeper' photos from the lens as a percentage was around 10%, and not because they were great, more because the in focus sweet spot was where I intended it to be once I saw the images larger on the computer.  Using your lcd on site to look can be challenging, especially in bright sun.  Greg loaned my his Hoodman Loupe for a while though which I must say really helped out.  It is now on my shopping list as it is a very handy thing to have when photographing in bright sun.  He also lent me his D3s with a tilt shift lens for a while.  Nice camera, great lens and the sweetest 'clap clap' shutter sound I have ever heard. 




So the Photowalk was very enjoyable.  If you haven't tried one I recommend you do next year.  At the very least it is a nice way to get out and meet your fellow photographers in your community.  

After we were all finished some friends and I went back to my house for a BBQ and drinks.  We all busted out our cameras and some studio lights for some photos after eating.  We moved some of my furniture from my house out to the driveway and took some photos.  The neighbours now think I'm crazy, but we had lots of fun.  I haven't looked at the images yet, but once I have them done I'll blog about it.  

Thanks for reading, and if you like this blog please link it to Facebook through the link on the right, or to any other social networking site from the links on the bottom of the blog.  As always comments are welcome.  

Saturday, July 24, 2010

Scott Kelby Photo Walk Today

I'm off to take part in the Scott Kelby Photo Walk today in Nanaimo.  The idea for me is to take the time today to finally learn to either love or hate my Lensbaby that I never use.  I'm bringing my Olympus E3, my lensbaby 3G, a spare battery and memory card and that is it.  I'll put it all on my Black Rapid strap and either live or die by the Lensbaby.  I bought the lens about two years ago or more, used it twice and was very unsatisfied with what I got from it.  I have left it in my drawer since always afraid to try it.  So today is make or break.  I'm either going to love it or sell it.  I had considered buying the Lensbaby Composer for my Canon 5D mk II, but if I can't make it work for one camera body then I'll leave it alone.  Either way, today isn't a paid day, it is a day for fun, socializing and experimenting.  After the walk we are all going out to a local restaurant for a meet-up and then some of us are coming to my house for a BBQ and to take some fun free family photos of each other.  If you read the blog and are coming to the walk please say hello!

Enjoy your Saturday!

Friday, July 23, 2010

Old Spice Flop



Those Old Spice commercials are hilarious. Have to be the funniest commercials made in years. Would I buy Old Spice though? Nope. And seems like nobody else is either. I guess it goes to show that no matter how absolutely brilliant our visual art is, whether video or photography it may not necesarily turn into improved sales of a product.  But  then again, Old Spice was pretty much forgotten to most of us except as some distant memory of how our grandpas smelled so in that respect these ads were hugely successful.  They even spawned a parody ad by an 11 year old which I think is pretty good  too. 



I guess it pays not to take ourselves too seriously.

Former fashion model Kirsten Kennis is suing band Vampire Weekend and photographer Tom Brody over use of an image of her taken in 1983 on their new album cover.  An excellent case for making sure everyone understands their model release, not just getting them to sign it.  The photographer in question states that he has a signed model release, but Kirsten doesn't seem to remember it.  The band of course is caught in the middle.  Lesson:  even if you have a model release, make sure you spell out the usage rights to the model.  The story reports though that Kirsten has retired from modelling and seemingly isn't  fond of photos of her appearing anywhere.  I suppose it is a tough place for a photographer that owns image rights to be in if a model decides years later that he/she doesn't wish for photos to be used.  I'm unsure of the law around how long a model release stands for even if it is spelled out in a contract, so this one will be interesting to hear the ending too.

In another case of a police officer being videotaped or photographed while misbehaving in public, seems a Vancouver police officer was taped violently shoving aside a disabled woman on a public street.  No attempt by the officer to seize the tape, though it doesn't appear they were aware they were recorded.  The officer was reported on the news today as having apologized for his actions, but remains on duty.  It is a rough neighborhood where this occured and we don't really know from the video what was said or occured, but it does seem like blatent violence from the viewers perspective.  Mark one more reason why photographing or videotaping in public shouldn't be controlled or regulated by the police.

Thursday, July 22, 2010

Lumiquest Gel Holder & LX5


So Panasonic has announced the LX3 replacement, the LX5.  It looks a lot like the LX3, but with a longer focal range, something I thought was missing in my old LX3. Seems it will also accept the electronic viewfinder used on the GF-1.  These two additions, as well as even better noise performance make this a very cool little camera.  I'm not  going to buy it.  Sold my LX3 as I wasn't using it much and  I really want  a small micro-four thirds camera with the larger sensor as my walk-around.  I will say though that Panasonic is making some very compelling cameras and I really loved my LX3 when I did use it.  I'm sure this one is going to be very hard to buy as it will likely be perpetually sold out for the first 6 months of its life.  If you want one, pre-order now!


I've been making headway into my editing.  It is a busy time for us, in fact we have never been busier, and I was nervous that I wouldn't be able to keep up.  Last night I did finish a wedding edit so now I am only one wedding and one portrait session behind.  Not bad.  I think I can keep up, I'm getting more efficient at what I do and feeling good about it.

We had a really great engagement session last night with a couple that when they showed  up told us they were very nervous.  One of the biggest reasons we do engagement sessions before a wedding is to photograph the couple before the big day, which makes the experience not strange or anxiety producing for them when it counts.  They are used to us and welcome us as old friends rather than just the guys with big cameras at their wedding.  We also get to produce images for them ahead of time and see what they like and don't like.  That way on their wedding day we might know if they are sensitive about their nose, or prefer one side of their face or really don't like sepia toned images, etc..  It really helps us out, and if you photograph weddings I encourage you to try it yourself.  By the time we were done last  night we were having a blast, and you could see the couple just relax and enjoy themselves.  I know that the experience will help everyone on the big day.

I always keep a little bag of flash gels in my camera bag and last week I left them somewhere when I was shooting.  I had always just bought sheets of gels and then cut them to size  and attached the velcro bits on them.  It worked well, but I thought I'd get fancy and I ordered a proper flash gel holder from Lumiquest called the LQ-121.  The super sexy name aside, it is a pretty slick little unit.  Basically it just holds your gel in a slide in clear insert and holds some spare gels in another attached insert.  The whole thing hangs onto the flash with velcro.  I like it, but realized after I bought it that since I only have one I'd need to buy two more if I wanted to gel my other flashes, or I'll still have to buy more sheets of gels and velcro them. I'm not going to buy two more Lumiquest units as that is just ridiculously expensive so back to basics I guess.  Also, I'm not too fussy about how far the gels hang out of the holder, they haven't fallen out yet but I've been worried about it.  Lastly, and this  may be nothing, I'm just not sure if the clear plastic holders for the gels cut out any light in addition to what the gel cuts out.  That could be a problem.  I'd say that in hindsight I'd be just as happy to use the sheets of gels with velcro on them like I used to.  Is it a good accessory?  Yes, but I think I splurged on something I didn't need.

Lastly, I'm taking part in the local Scott Kelby Photo Walk this Saturday.  To challenge myself I'm going to use one camera (my Olympus E3) and one lens all day.  I never use my Lensbaby, I'm not confident with it and I'm usually dissapointed with what I get from it.  But I'm not getting paid to be there, I'm mostly interested in socializing with other photographers and I want to challenge myself to conquer that lens. So I'm not bringing any other options.  One camera, one lens.  I WILL learn to use that lensbaby.  Wish me luck!

If you like this blog, please share it with your friends by clicking on the Facebook link on the right hand side or any of the other social networking links on the bottom of the blog.  Thanks for dropping by!

Guest Post: 5 Works of Accidental Art!

This guest-post was contributed by 'You Are Art'

Accidental Art is something that achieves a creative or expressive image without the intent of doing so. The cat hair on the sofa strikes you with its pattern, or the image on an old wrecked ship speaks to you. It wasn't intended to be art, but it becomes art in the beholding. Once you start thinking in terms of accidental art, you start seeing it everywhere. It's like looking for shapes among the clouds.

Below are five examples of accidental art found among the images on the internet.

1. Storm Clouds Rising

http://hellejorgensen.typepad.com/gooseflesh/2009/04/accidental-art.html

This image is really just lint removed from a dryer tray, but it is evocative to look at. The burning of the sunset hangs over the white clouds as the black storm clouds rise in the distance. You can almost feel the drop in temperature as the winds start to rise.

2. Mollusk Graveyard

http://rawearthgalleries.com/blog/wp-content/uploads/2009/10/mollusk_graveyard.jpg

So titled by the owner of the site, Mollusk Graveyard depicts the death of Dunkard Creek caused by local coal mining. Once teeming with aquatic life, the fish and shell fish have died off, leaving this once living stream barren but for the skeletons of what was.

3. Towering Inferno

http://www.flickr.com/photos/9333783@N08/4799692610/in/pool-accidental_art

it's really just the reflection of sunlight off of a glass office building, but it looks likes smoke is pouring out of the high rise. Can you hear the fire engines screaming, the people yelling, and feel the heat of the fire?

4. Monster of the Edgbaston Reservoir 2

http://www.flickr.com/photos/onlinejones/4794078037/in/pool-accidental_art

A fallen branch becomes a mythical monster. Are you sure you want to swim here? Even from a different view (http://www.flickr.com/photos/onlinejones/4794075945/in/pool-accidental_art/)  the serpentine monster waits, crouching broodingly, for its unwary prey.

5. With Age Comes Art

http://www.flickr.com/photos/seorsa/566283723/in/pool-accidental_art

What was once likely a vibrant gathering place or place of worship is now evocative of ghosts and sadness and the passing of an era. While this structure was once a sort of intended art, its artistic presence is now something that was quite unintentional.


Everything around us has the potential to be art if the eye can only see it. What will you see in your world this week? You have only to reach out to find art.

Monday, July 19, 2010

Image Explorations


So I'm home and basically getting caught up now since my time at Image Explorations.  We did a wedding last this last weekend so I'm a little  behind on editing but should have that sorted out soon enough. 

I wanted to spend some time blogging about my experience at Image Explorations (IE). I've been  to many photography courses and workshops over the past couple of years, but this was going to be the first one dominated by other students that were working professional photographers.  At IE you take one course for the full five days and have maybe a dozen to choose from ranging from Photoshop to portraits to weddings.  I chose the Scott Robert Lim contemporary/fasion wedding photography course as I knew that I wanted to evolve my wedding and portrait photography closer to the fashion look I enjoyed so much.  One check of Scott's website told me that his style, while not exactly mine, was  really developed, modern and awesome.



The course takes place each year out in Shawnigan Lake Private School which is only about an hour's drive from my house.  That's pretty lucky for me as there were students and instructors from all over the world that came.  As I packed up my car and made the drive out there I was really full of nerves.  I wondered if I would be squarely at the bottom of the skill level of the other working pros.  I wondered if I would get along with anyone, make friends or be this total newbie loser geek standing in the corner whose photography wasn't up to snuff.  The closer I drove to the school the more nervous I got.  Clearly I'm not Scott Robert Lim worthy I thought.



Well as I pulled onto the campus of the school my thoughts went from being so nervous I could puke to "Holy Crap this place is Awesome!"  It was like a mini Hogwarts from Harry Potter.  I was stunned.  How did I not know this place was on Vancouver Island!?!?  I walked in and was greeted by some very friendly people (well known people, but I didn't know who they were), that showed me where  to go and gave me my welcome goodies.  I then went and unpacked in my room, and started wandering around campus.  The nerves were gone, I was too busy gawking at this setting.  No wonder they chose it.



I ran into some photographers that I knew from the island which was a bit of a relief, then went off to a marketing lecture to start off the week with Lawrence Chan (Tofurious). It was a great way to start.  Lawrence had some really great knowledge to share.  I was taking notes on my iPad like crazy but I knew right away that this week was going to present far too much information for me to absorb.


After the lecture we went off to grab a meal and meet people.  I took a look through the vendors that had booths set up such as album companies and Beau Photo was there to lend out gear and sell and demonstrate products.  I bought some things from them but was also able to borrow the 135 f2.0 and 85 f1.8 Canon lenses.  I really liked the 135 lens a lot and it is on my wish list. The 85 was nice, but didn't seem different enough from my 50 mm f1.4 lens.  I thought the staff at Beau Photo were  awesome, friendly and helpful. I can see  the need to build a relationship with a store like that.  We already get our photo boxes and folders from them, and are considering moving to them for albums as well.  I did also meet the local Leica rep who let me borrow the medium format S2 for an afternoon.  I've already blogged about that so I won't go into it, but it was very cool.



After dinner we went to our first class with Scott.  We had introductions and then were out shooting right away after a brief lecture on off camera flash.  I'm already pretty well versed with off camera flash, but Scott had tons of good information.  The class was  supposed to end at about 9pm but Scott had us out until about 11:45 with our cameras.  He is like the energizer bunny when taking photos, he just keeps going.  I loved  it. I learned that the best thing to do is to simply watch him work and how he solves problems.  His passion for the art is really apparent and inspiring.  I had my best moments in class just holding his lights for him and watching him photograph a model. Scott is very approchable, very social and very warm.  My fears about going to this course melted away completely.  Not just because I realized my current skill set was about right in the middle of the group that was there, but also because I saw immediately that this was a completely supportive environment.  Everyone there was there to learn, embrace their art and their business and have a good time.



So the course lasted 5 days.  Scott regularly shot longer each day than he was supposed to.  We all loved it.  He wasn't afraid to stay out until 11:30 when it was cold and dark to get more practise, more images and more face to face time with the students.  The class was large, maybe about 22 students, so you had to get the most out of it by watching Scott and photographing your models using what you learned.  When you needed to chat with him Scott was usually available, if not during class then he was there at meal time or after class.  He never hid from us, was available and welcoming and a really great guy.



During the course we were presented with information on using off camera flash, on post processing, on business, marketing, posing and life.  I say life because Scott isn't shy about sharing his very emotional and touching life story.  In fact you can read it on his website.  He is a very real person and in touch with who he is and most importantly willing to share it.  I found it incredibly inspiring.  The whole week saw me making new friends, learning new skills and frankly taking a good look at myself as a person. 




We  had a super shoot (what the school calls it) on Tuesday night where everyone that attends all the different classes can wander around campus and take shots at stations where they have props like old cars and motorbikes and where they have one or two models at each location.  There is gear, like Profoto lights, for you to try if you wish as well.  I really enjoyed myself with this, but couldn't make it to every station, there just wasn't the time.  The models I had were great and very ameanable to trying new things.  I met a makeup artist and stylist and several models that live locally that I plan on photographing with again very soon, so there was a lot of value in those introductions.  And I made some really great images that were a lot of fun too!



The last day at IE we had a morning class with Scott and a good-bye lecture with someone else.  Scott finished off his course with some really really good marketing and business information as well as some thoughts about living life as a wedding photographer and balancing that with your personal life that really hit hard.  I was very humbled by the morning class and feeling thoughtful and introspective.  I thanked him and told him I was grateful for the knowledge and enjoyed his class, and I want to say to anyone reading this that I can't recommend taking one of his courses enough.  As I left the class I walked to the theatre for a lecture from Arthur Rainville, a portraitist from Boston that I thought was going to be another business or marketing session.  We were a little late as Scott's class ran late (you really can't stop him!) and I stepped  into this dark theatre still full of my thoughts from the morning and the week when Arthur's presentation hit me like a Semi-truck on the freeway.  

 

I can't really explain what he presented because no matter what I type it seems hollow and doesn't do the presentation justice.  I will say that I am very affected by great orators.  I remember President Obama's inauguration speech and how captivated I was by it.  Well, Arther's timing and his voice and his message where equally or more impactful than that famous speech was for me. 



Arther spoke more about photography, more about life and more about the art and craft that we all seek to master in that hour than I've ever heard condensed into one speech. His message was so impactful I had to sit down instead of stand at the back of the theatre.  I'm sure it was partly because I was leaving this school, and partly because of Scott's lecture, but none-the-less it was simply the most engaging presentation I have ever witnessed.  I was so gobsmacked by it that I nearly cried.  I admit it, I fought it like a demon, and I succeeded, but just barely.  When I walked out I saw others crying. People lined up to hug Arther. I didn't, I just walked away and immediately knew I would be back next year. 



And so, did I enjoy the course?  You bet I did.  I'm grateful I forced myself to go.  I'm so amazed at what a geniune life changing time it was for me. I can't explain it further other than if you can at all possibly attend you should do so.  If you do attend, look me up and I'll buy you a beer.

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Thursday, July 15, 2010

My Love Affair With a Leica S2

cropped and converted to jpg in Lightroom, otherwise no edits.

Well at Image Explorations I had the opportunity to use the medium format Leica S2 for three and a half hours.  I admit I was very excited about it.  Giddy in fact.  The camera was so pretty I forgot all about my Canon and Olympus cameras for a while.  I cheated on them.  I had an affair and I loved it.  It was only brief though.  The Leica was out of my league, above my class range and frankly I'm more comfortable with my decidedly middle class gear anyway.  Though I don't mind admitting that I'll be having many Leica thoughts, dreams and a feeling of longing for a long time in the future.  I've tasted the Kool-Aid and I liked it. 

I even had a hard time focusing on making quality photos of the beautiful model I had with me that afternoon.  I found myself showing her the camera and gushing about it like a school boy with some big crush (on the camera, not on her....I know, weird).  She seemed suitably impressed though, or at least patient with my love lust, so Brenda, thank-you!

I haven't had time to edit my photos yet so the images in this post are pretty much unedited samples that have only been cropped and converted to a jpg.  After I arrived home I pretty much unpacked, and headed for a nap.  Then I had to catch up with my wife and eight year old daughter, both of whom I missed a lot after I threw myself into 5 full days and nights of photography.   I'll talk about the school and show some edited images another time, but for now I thought I'd just share about the Leica while it was fresh on my mind.




First up, what I noticed was that it was smaller than I thought it would be.  Much smaller.  And light.  It really didn't feel much bigger than my Canon 5D with the 24-70 lens on it and was no heavier.  Given that this is a medium format camera that was pretty cool.  It felt well built and the viewfinder was simply the best I have ever looked through bar none.  Big, bright and lovely.  

The lens on it was a 70mm prime, I think an f2.5.  I won't pass too much judgement on the lens as I didn't really have it too long but it seems sharp and produces some of the best out of camera colour I have ever witnessed.  The bokeh or out of focus areas come quickly, I'm sure due to the large sensor size which makes my 5D look like a point and shoot sensor.  The bokeh is smooth and dreamy and hits your image immediately behind what was focused on.  I could get very very used to it.

The camera was pretty much devoid of buttons and wheels.  It had the shutter speed dial on the top right which I liked quite a bit.  The lcd screen was huge and bright and super crisp.  There were four large buttons around the screen.  The menus were simple to get too and easy to figure out.  I struggled for a moment with it but could tell that if I only had maybe another hour or so with it I would have had it all memorized.  The grip wasn't terribly comfortable or contoured for my tastes, but it wasn't bad either.  The camera felt balanced and like I said earlier it was light and small.  Easily a walk-around camera if you so wished.  




A lot of the files I produced were blurry or mis-focused, but when I did hit everything right I had some very large, detailed and crisp images with endless ability to crop at will.  I believe that the blur or miss focus was truly user error.   I was pretty full of adrenalin and was really learning the equipment.  It does seem that the camera would benefit tremendously from a tripod or monopod for really crisp images though as I was trying my hardest to hold it steady with my elbows firmly dug into my chest and the camera on my face.  

This isn't a sports camera by any stretch of the imagination.  It is a commercial photography, model photography or high end magazine use camera.  It isn't necessarily for me or the type of images I make, but its ability to sync at any speed, its wonderful large files, its beautiful colours and its Leica brand desirability are pretty hard to resist.  It is limited to I think ISO 1250, it doesn't have image stabilization, its lenses are so costly I'd be bankrupt in no time flat and it just doesn't make sense for your average wedding photographer.  

It does make a sweet "Ka-Chunk" sound when you trip the shutter though.  And it has that little red dot and the Leica name on it which as much as I try to stop myself I can't help but fall in love with.  I have this nagging urge to go see my banker and check out what can be done about me owning one of these things, and all afternoon I just couldn't focus on my task at hand and wipe the stupid grin off my face.  My model was gorgeous, my location was fantastic, and I was living with my head in gear lust land.

And so did I like it?  Yes, absolutely.  Do I need it to make me a better photographer?  No, definitely not.  Am I glad I had my brief little roll in the hay with it though?  You bet I am!  Pretty sure my E3 and 5D mkII will let this one slide.  

Image Explorations


You know, it is a rare experience to take part in something that breaks down how you look at the world and your craft and gives you a new look at your life.  I just returned home from Image Explorations where I spent time learning from Scott Robert Lim and burying myself in my craft and art for 5 days.  I made a lot of friends, saw some amazing talent and was completely inspired.  I'll have lots to blog about which I don't have time for now, but if you ever get a chance to go this this school which is run once each summer, jump at it.

Friday, July 9, 2010

Blogging with Nothing to Say

  Corner Gas  in 'Dog River'
Did I mention that on our road trip we had the awesome luck to drive by the gas station that was used in the Corner Gas TV show?  I loved that show!  It is in Rouleau Saskatchewan and still stands, but is boarded up with fake windows and doors as well as fake gas pumps.
Church in Wauchope Saskatchewan
I don't have much to say right now for the blog, I haven't much been following the photography news.  It seems slow now anyway as Photokina isn't until September and most photographers I know are pretty busy for the summer.  I thought I'd just share some  photos  from the trip and talk a little about my business and things I've been thinking about.
My grandpa's old car left to rust on the farm
I've been thinking about prints lately.  The prints we deliver to our customers and try to convince them to buy. Adam and I decided when we started our company that we would do things differently than other photographers in that we wouldn't drastically inflate our print prices.  Instead we would find a good professional, high quality lab and develop our prints there, then sell them to our clients at cost, or near cost.  Instead of making a profit on prints on the back end of our work, we felt it would be better suited to our personalities to  charge up front a fair price for our work and then sell clients prints that were inexpensive and yet really high quality.  
The  idea came about after we talked to people that had used other photographers and they talked about how 'ripped off' the felt or unhappy with their  photographers when, after having paid the initial fee, they had to  pay $20 for an 8x10 print or $90 for an 11x14 print.  While they were satisfied with their photographers work, they felt held hostage by the cost of getting their final images and this made them angry.  We did try at first charging modest  fees after being encouraged to do so by fellow photographers, like $10 for an 8x10, but it didn't feel right.  Other photographers tell us we aren't selling a print, we are selling the art that is on the print.  We say that while that may be true, you customer will still hate you for charging big coin for what they view as a piece of paper.  So, now we have found a good relationship with Smugmug and through them Bay Photo.  We like the quality of the prints from Bay Photo and feel our work looks good when we use them as our lab.  We charge a 10% markup on the prints in the hopes of our print sales covering our annual $150 Smugmug membership fees (it hasn't yet), so a 38 cent 4x6 print costs our customer 42 cents.  


We only give digital negative discs (full resolution files) to our 'Gold Package' customers or customers that buy them.  Every customer  gets a web sized image CD which is great for internet sharing and emailing, but not for printing.  We do this not to hold back, but rather to encourage use or our lab.  We've seen prints from a couple of the local big box stores that were really terrible and we want our photos to look their best when people show them to family and friends.  So does our strategy of not hiking our print prices unfairly actually encourage customers to order from our lab?  Nope.  We get orders from our lab from each and every wedding and most portraits, but invariably people that get a digital negative disc go to the big  box store and save 20 cents a print.  Or, worse yet, they never print, they just keep the disc or put the images on their  hard drive  (which one day will fail of course).  


OK, so I'm whining.  I can't change behavior.  I had hoped that our way of offering inexpensive high quality prints would encourage people to buy prints, but it hasn't.  We aren't going to change our pricing strategy (I don't think), but we also aren't going to change people's ways.  Possibly people just don't want prints anymore which I think is a tragedy.  I think we are going to have a whole generation of people that have been photographed and video recorded  more than anybody in our history, and yet when hard drives fail, CD's fail and computers break down these people will have fewer images of themselves as keepsakes in their  later years than many of us did when printing film was the only way to appreciate your photos.  I could go on, but it is a topic for another day.  In the meantime we make sure to include prints with all of our packages now so that, at the very least, people get something they can hold in their hand.
 Inside the old, unused church in Wauchope Saskatchewan

Well, that is it for me today.  We had a really great engagement photo session last night which I stayed up until midnight editing to try and stay caught up.  We have another in a couple of hours and then a wedding tomorrow.  I'm enjoying this total immersion in my photo universe right now,  but I also look forward to the time off that will come later in the summer.  My daughter asked me yesterday to take her to a movie and I tried but I couldn't find  the time in my schedule which was very sad for her and I both.  My wife gets a good part of the summer off and has  been great in helping me with this busy time but the work life balance with photography is still a learning curve for me right now.  I'm sure we'll get it figured out! 





Wednesday, July 7, 2010

Home

Petting Zoo in Beacon Hill Park, Victoria Canada

Well we arrived back home yesterday.  My wife and daughter are off to the kennel to pick up our cat.  The cat (Virgil) is going to be mad at us again for leaving him.  He always is.  I'm taking this quiet moment on my last day off to brace myself for the excitement and energy that will be required for the next week and a half.  Taking holidays means you have work to do when you get home.  Today I have some tidying up to do for a few customers that want image edits.  I intend to get through editing my vacation photos as well before they get forgotten.  Tomorrow I have a meeting with a couple whose wedding we are photographing on Saturday and an engagement portrait session with another couple.  Friday, another engagement session, Saturday a wedding and the from Sunday to Thursday I'm away at Imaging Explorations learning from Scott Robert Lim.  I then get one day off (my wife's birthday) before our next wedding on the 17th.  My point here isn't to fill you in on my schedule, it is to share the feelings I have about being busy.  This is only our second year with weddings and it is turning into a pretty successful one.  I'm not complaining at all as I know other photographers are struggling, in fact I'm pretty excited about it all.  But I am also nervous.  Nervous that I'm not going to be able to keep up, nervous that this craft I love so much is going to turn into real work.  It will all work out, I know it will, but I've known for a long time that July and August were going to be busy for us and now that it is here, now that I've had my rest, it is both exciting and scary to get started.

Legislature Building, Victoria BC

Well, back to the vacation.  We arrived home yesterday evening and after unpacking and getting the kid to bed I loaded up my images to Lightroom for a look.  I also have some film to drop off at the lab which is always pretty cool for me, especially since I used a new lens on my film camera during the trip and want to see how it performed.  I ended up staying up until about midnight editing about 20 photos from the start of our trip including the HDR above which I took using my iPad case as a tripod on the front lawn of the Legislature.  When I'm on vacation I try my hardest to pay attention to the experience, to spend time with my family and to relax, but I can't stop myself from capturing images with my cameras.  My family is very patient with me and I think we've found a good balance where I put my cameras away at times and they allow me to set up the tripod and pause for photos other times.  I took about 300 images on my Olympus E3 during the vacation and only one and a half rolls of 24 exposure film on the OM-4t.  I think that that is pretty light shooting over 10 days and in retrospect I really don't think I made the trip about me and my camera.  I'm glad for this as my daughter is 8 years old already and I don't want to view my life and relationship with her solely though the lens of a camera.  She is at that age now where travelling with her is really fun.  No diapers, naps or unexplained crying and a genuine interest in the places we visited.  We've been blessed with a great kid.

Malanya and I.  My wife stands in as photographer (program mode saves the day)

A horse carriage in Victoria BC, Canada

I saw the above scene and thought of an image by W. Eugene Smith of this children (not a horse) and processed it to feel like that image.  No I'm not Eugene Smith, nor is my ego big enough to assume so, but it was exciting for me to recall at the time I held the camera to make an image just what photo from a great master I was inspired by at the moment.  That rarely happens except in retrospect.  

Ferry Boat Worker

So for my trip I brought my Olympus E3, the 11-22 mm, 8mm fisheye and 25mm Leica Summilux lenses.  I also had several ND and polarizer filters.  In the end I used all the lenses so they were good choices.  It was fun to limit myself to wide angle lenses exclusively for that whole period of time.  Well the Leica works out to be 50mm with the 2x crop sensor so that is more of a normal perspective, but the whole experience set my photography in a certain frame of mind that I wasn't going to zoom in on anyones face up tight or stand way back from a scene when I photographed it.  It takes some getting used to how close you need to stand to your image if you are using a wide angle lens or just how much you can get in a frame.  The Olympus performed well.  I never needed my spare battery, nor did I use my ND filters.  I had brought them to do some long exposures of wheat fields that I knew we would see on the farms we came to, but never found the time.  The polarizer came in very handy though on one day on the farm.  

Daughter on ferry ride to Port Angeles, taken with Leica lens.

My favourite lens to use on the E3 was the Leica.  It was nice to put it through good use again.  It seems kind of heavy for a prime lens, but it gives back such wonderful sharp images and smooth out of focus areas.  I wish it closed down more than f16, but beggars can't be choosers.  The lens balances well on a heavy camera like the E3 (without the battery grip) and is a complete joy to use.  I think that if I ever switch completely away from four thirds cameras I will miss this lens more than the cameras.  

HDR from boat as we leave Victoria

I tried my hand at some HDR photography this holiday which was nice for me as I have tended to ignore this type of image lately as I focus on portraits and weddings.  I enjoyed it a lot, but found myself improvising solid surfaces to sit my camera on as only once did I feel like trudging my tripod around (and then it was in the truck close at hand).  The above image was done using the railing on the boat as we left Victoria and shows the softness created from a rocking boat.  I also used my iPad case as a tripod, a cement foundation at an historic prison we toured and any other solid surface I could find.  I think the lesson for me was that no matter how much I like my big heavy Manfrotto tripod, I need to look into finding a more compact easily carried model.  The downfall of using what you find like cement retaining walls is that you don't get to choose the location or height of your image which can be good by forcing you to shoot from weird angles (see second image in this post) or bad.  Anyway, a small light tripod is now on my shopping list, recommendations are appreciated.  

Sunset from the Coho ferry on the Georgia Straight, the end of day one.

I met a fellow on the ferry to Port Angeles that was learning to use his (new to him) dslr, an Olympus E500.  We talked for a while, he was a nice guy, and I showed him some things about his camera and took a photo of him on deck of the boat.  I tried to prod him into taking the camera off automatic mode as he tried to get the same sunset photo I took above (manual mode) and I was helping him out learning about white balance (his jpg images were turning out off colour all the time) while I was at it.  I thought it was falling on deaf ears but when I ran into him again he had the camera on aperture priority mode and was trying all the different white balance settings on the same scene.  It made me quite happy actually and I realized the pleasure my friend Adam gets from teaching photography.  It is pretty cool to see someone tread out in the waters away from 'automatic.'  


I didn't finish the 'Fast Track Photographer' book while away as it was at some point put in my wife's suitcase and was never around when I wanted it.  I did however finish a couple more ebooks from David duChemin.  I finished 'Chasing the Look' and 'Drawing the Eye.'  While David's earlier books 'Ten' and 'Ten More' were focused on amateurs wanting to spin their craft up to the next level, these latest two books seemed more focused on the advanced amateur looking to refine and elevate their work.  I'm occasionally not convinced by his books, they lose focus and purpose at times for me, but when I reflect back on them I find them to be very useful and insightful.  It's hard to explain, but as all of his ebooks are $5, I think it is worth trying one of them to see if they might be useful for you.  

'Chasing the Look' is a good follow-up to his 'Ten' books and is full of a few more general photography tips, some better than others.  Reading it while photographing things on vacation was actually really timely as I put some of his advice to use on photographs that weren't going to make or break my photography work.  I played with slow shutter speeds for example (with some success)  that I wouldn't normally use when needing sharp images for a paid job.  It was a lot of fun to force myself to take some two second exposures hand held with image stabilization turned off.  I actually had some joy from the experiment and had a couple of images from it that I can thank David for pressing me to create.  Other parts of the book didn't resonate with me, but possibly it wasn't because the points weren't valid, more because I've already taken those tips as part of my regular photography life.  It was reinforcing, but not new.

'Drawing the Eye' was all about David attempting to explain the concept of Visual Mass in a photography.  Basically the thing, object, person or area of an image that draws the most attention and why it does so.  He wants you to move from just discovering what areas have the most visual mass, to intentionally creating images with placing areas of importance on purpose.  I felt he fumbled a bit with the explanation but in the end it was a worthwhile book in that it made the subject important just by being talked about.  It is a challenging subject, one that is really for the advanced photographer who is at home already with the function of the photography craft and is wanting to move more to the aesthetic of it.  One thing I will say about David's books is that they are always filled with stunning inspirational photographs and are displayed beautifully.  By the way they display really nice on the iPad and were a pleasure to read in that format.  

I did read three other ebooks from his Craft and Vision store, but this post is getting a bit long in the tooth so I'll save talking about them for another time.  It is good to be home.  My batteries are charged and I'm ready for better or worse for the days ahead.